Black soap, made from the ashes of burned plant matter and commonly used in West Africa, is mixed with wax and applied as pigment onto the white tiled surface — for Johnson, a way of complicating associations of cleanliness and healing. Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020 Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020 please click the link in the email we just sent you.Sign up to our newsletter now )” at Kai Art Center, Tallinnektor garcia “Oax.D.F.L.A.N.O.H.K.” at Empty Gallery, Hong KongPaul Bonnet “Common Task” at Édouard Montassut, ParisCudelice Brazelton “Violent Groom” at Galeria Wschód, WarsawSimon Denny “Worker Cage Document Reliefs” at Fine Arts, Sydney, SidneyMarina Pinsky “Four Color Theorem” at CLEARING, BrusselsFor his first solo presentation in Canada, American artist Rashid Johnson has undertaken a major new site-specific work. Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020 All Rights Reserved. But on this alternative plane, high above the crowd, these vessels introduce a life force, a sense of potential, of caretaking and community.Sign up to our newsletter now This is the fifth iteration of the Clerestory Commission Program, which invites artists to respond to The Power Plant’s centralJohnson has attained prominence internationally for works harnessing the rich symbolism and histories of varied materials that are both naturally occurring and artificially made. Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020 Bronze panel, ceramic tile, mirror tile, animal skin, books, shea butter, ceramics, plant, oil stick, black soap, wax.
CONTEMPORARY AND (C&) Photo: Toni Hafkenscheid. Though these faces are presented on a shared plane, their solidarity is ambiguous: do we interpret them as united with a sense of togetherness in the face of collective unease, or might we understand this as an amassing of disparate individual experiences?Above, high on the beams that run across the space, ceramic pots house a series of tropical plants.
For The Power Plant, Johnson developed an ambitious new work in this series visitors amongst an accumulation of portraits incised in white tile panels. This audience scrutinizes us as viewers as much as the other way around. We use cookies to ensure that we give you the best experience on our website. delivered straight to your inboxTo complete the subscription process, Reflecting a sense of collective unease, this crowd of faces emerges through a process of ‘drawing through erasure’ into the viscous black surfaces. Rashid Johnson, Anxious Audience, 2019. Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020 All content © 2020 Contemporary And. Rashid Johnson : Anxious Audience The Power Plant, Toronto, Canada 21 Sep 2019 - 10 May 2020 Rashid Johnson, Untitled (Microphone Sculpture), 2018. www.thepowerplant.org Rashid Johnson’s “Anxious Audience” marks his first solo presentation in Canada with a monumental site-specific commission for The Power Plant’s Clerestory. Courtesy the artist, Hauser & Wirth and David Kordansky Gallery. CONTEMPORARY AND (C&) Johnson’s Anxious Audiences first came about from a desire to transmit his personal experience of anxiety, especially heightened by a political climate of increasing division in the United States. Installation view: The Power Plant, Toronto, 2019. Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020 Photo: Martin Parsekian They are witnesses. Website by Assistant Curator: Amin Alsaden, Rbc Curatorial Fellow @RashidJohnson's "Anxious Audience" marks the artist's first solo presentation in Canada. please click the link in the email we just sent you.Rashid Johnson, Untitled (Microphone Sculpture), 2018. to get the latest stories from Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020
delivered straight to your inboxTo complete the subscription process, Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020 Each pot becomes a member of this audience, a face carved roughly into its surface. The rigidly uniform support equally evokes the tiles of subway stations as well as rational grids of minimalist art, and through Johnson’s frenetically incised portraits a vivid impression of human presence emerges.Johnson’s Anxious Audiences first came about from a desire to transmit his personal experience of anxiety, especially heightened by a political climate of increasing division in the United States. Kris Lemsalu Malone & Kyp Malone Lemsalu “Love Song Sing Along (Once Again With Feeling!
Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020
The Power Plant, Toronto, Canada21 Sep 2019 - 10 May 2020For his first solo presentation in Canada, American artist Rashid Johnson stages a major new site-specific commission. Entering the Clerestory, we find ourselves surrounded by two monumental tiled panels, each containing an accumulation of nearly one hundred faces.Ricocheting between the opposing walls of this narrow passage, these works are a continuation of Johnson’s series known as Anxious Audiences. to get the latest stories from Category: This is the fifth iteration of the Clerestory Commission Program, which invites artists to respond to The Power Plant’s central, light-filled space. This audience scrutinizes us as viewers as much as the other way around.
He is renowned for minimalist black grid constructions that serve as carriers for plants, shea butter and other artefacts—objects that reference collective aspects of African-American intellectual history and cultural identity.
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