The festival was started locally, and it is now a grassroots phenomenon, and âfilmmaker utopiaâ, selling 50,000 tickets and supported by 1,000 volunteers. True/False Film Fest | 371 followers on LinkedIn | Exploring fact, fiction and what lies in between, the True/False Film Fest champions films that breathe life into the nonfiction format by honoring the finest new work redefining this exploding form.
In addition to the opportunity to be an influential part of one of the most exciting cultural events in the Midwest, festival positions offer a high degree of autonomy and flexibility in scheduling. As a six-year member of the True/False screening committee, Murray Center for Documentary Journalism Director Stacey Woelfel estimates he's watched about 300 documentaries in preparation for the festival. There are about 50 features and shorts playing at this year's True/False Film Fest, but watching that many movies over three days might not be feasible for the average festival-goer. Copyright © 2020 Penske Business Media, LLC. As SXSW canceled on the last Saturday of True/False, the severity of the situation set in.
The RFS Tech Director should reside in, or be willing to relocate to, Columbia, MO year-round.Please submit a cover letter telling us why you should be our Tech Director, a resume with at least 2 references, and any supplemental details of related experience. True/False is a project of the Ragtag Film Society, a nonprofit organization with a 20-year history of showcasing transformative cinema and art in Columbia, Missouri through its two projects–True/False Film Fest and Ragtag Cinema. True/False was started by Paul Sturtz and David Wilson (who also founded the Ragtag Cinema) in February 2004. Youâll be working with some of the most talented, creative individuals in mid-Missouri, the RFS Core; a crack squad of folks who work year-round to pull off one of the most vibrant cultural events in the Midwest, and to run a homegrown venue showcasing the best in U.S. independent and international filmmaking.
for the 2021 festival are now open, with a few notable edits to programming guidelines.This year, the Fest will not require filmmaker attendance, and will instead hold Q&As remotely. Rather than shy away from the challenges presented by the pandemic, True/False is doubling down on its history as an âexperimentalâ festival and leaning into a reputation for challenging and re-imagining what a film festival can be.Says RFS Co-Custodian Arin Liberman, âWe see this moment as an opportunity to shed what doesnât serve us and to safely bring joyful community experiences back to our calendars.â Stacie Pottinger, RFS Director of Development & Communications: This is a full time, year-round position with an annual salary in the range of $38-42k, plus benefits. We are more focused on people than the organization was in the past, so we are trying to keep that in mind as we make tough decisions.”Coronavirus cases in red-state Missouri — home of the Ozarks — are currently spiking. True/False Film Fest proceeded as planned March 5-8, 2020, according to previous Missourian reporting. The films … Film screenings will be primarily outdoors, with select offerings at Ragtag Cinema. Filmmaker support programs, such as PRISM, the Mentorship program, and the True Vision Award, will all continue â after a successful virtual Rough Cut Retreat this past July, the Fest is developing ways to re-work these as richly immersive virtual programs. More specifics for the 18th edition of the Fest will be forthcoming.
The festival has also grown since it first began in 2004. She joined the RFS CORE as the True/False Hospitality Coordinator prior to the 2013 festival and was named Managing Director of Ragtag Cinema in November, 2018. Far from the mountains, oceans, media machines or other perks that usually mark a festival destination, Columbia is a friendly college town of over 100,000 people. The specific format of the festival remains to be seen. College-town Columbia is more liberal and working to improve the situation. Since the cinemas reopened to in-person screenings our audience skewed a lot younger than normally.”The bigger screen holds 137 and is at capacity at 35 seats; the county requires six feet between patrons. True/False Film Festival In 2014, Akai Gurley, an unarmed 28-year-old black man, was shot in a Brooklyn housing project by Chinese American NYPD officer Peter Liang. Submissions for the 40 features and short programs open in August. Exploring fact, fiction and what lies in between, the True/False Film Fest champions films that breathe life into the nonfiction format by honoring the finest new work redefining this exploding form. This adjustment is a one-year postponement from the typical early March dates, in response to the global pandemic. After the departure of RFS executive director Jeremy Brown (who’s pursuing a career in insurance), a trio of Ragtag veterans, Barbie Banks, Camellia Cosgray and Arin Liberman, have combined forces to lead the non-profit into a far-from-secure future by trying to turn Ragtag into a sustainable year-round effort as well as an annual event, aided by True/False cofounder and current interim artistic director David Wilson, as T/F programming director The film festival proceeded with its usual eclectic curation of documentaries, from “Crestone,” about Colorado rappers growing weed, to Sundance hit “Time,” described by IndieWire’s Chris O’Falt as “a poetic meditation of the injustice of incarceration,” which sold for $5 million to Amazon Studios.“We were able to make up those sponsorship dollars,” said Banks. True/False is a project of the Ragtag Film Society, a nonprofit organization with a 20-year history of showcasing transformative cinema and art in Columbia, Missouri through its two projects–True/False Film Fest and Ragtag Cinema. This adjustment is a one-year postponement from the typical early March dates, in response to the global pandemic. Interns are conferred a level of volunteer pass for the Fest that includes admissions benefits beyond general or juggernaut access. All rights reserved.
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