The house serves as a kind of character, or universe, that helps bring “Bolt Cutters” to life. Her famously long 1999 album title (“When the Pawn…” is merely the shorthand for a title that approaches 100 words) was inspired by a scathing Spin reader letter criticizing her VMAs speech. If “Bolt Cutters” gestures towards any conclusion, it’s that men are almost solely responsible for Apple’s trauma.On “Rack of His,” she objectifies men (or their guitars) almost as an act of vengeance.
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His work has appeared in Pitchfork, GQ, The Ringer and Rolling Stone.Apple's music is at once an explosion of feelings and an examination of the ways rage can be repressed, funneled, understood and unleashed. Looking back, that line reads as the mission statement of Apple’s life. The simple reason is that, at some point in the last few years, I decided I’d had enough new music, thank you very much. Fiona Apple is back in action with Fetch the Bolt Cutters, her first new album in eight years. Vote to incrementally dismantle the entire fucking system? By Emily VanDerWerff @emilyvdw Apr 17, 2020, 4:30pm EDT
The world is bullshit. Our mission has never been more vital than it is in this moment: to empower you through understanding. Her idiosyncratic song structures, full of sudden stops and lurching tempo changes, adhere to logic only she could explain, which forces you to listen as attentively as though a dear friend were bending your ear; thus dialed in, you notice the array of close-miked textures in the music, much of which she laid down at her house over the past five years with a cozy group of collaborators including drummer Amy Aileen Wood, guitarist Davíd Garza and bassist Sebastian Steinberg (familiar to ’90s alt-rock fans from his stint in Soul Coughing).In “Heavy Balloon,” about the difficulty of keeping the weight of depression aloft, Steinberg’s slithering bass is an almost tactile presence, while the album’s memory-jammed title track ends with the sound of Apple’s beloved dogs barking their heads off — a bug of home recording that she turns into a feature.Apple delivers that number in a breathy, slow-and-low mode that can harken back to her sultry early work. Welcome back Fiona Apple. The controversy, explained.It’s the word of reporters relaying what unnamed people are saying against the word of untrustworthy people being open about where they stand.One Good Thing: Stephen Colbert is looser, funnier, and angrier in quarantineOnly Colbert can work through a "Your internet connection is unstable" warning popping up during a Zoom interview.The ancient palindrome that explains Christopher Nolan’s TenetA puzzle dug up all over Europe holds the key to Tenet — and turns it into more than a movie.From Black Lives Matter to election fraud, Barr didn’t seem interested in even pretending he’s doing anything other than Trump’s bidding. Fiona Apple is back in action with Fetch the Bolt Cutters, her first new album in eight years. After a brief announcement video earlier this month, Fetch the Bolt Cutters has arrived as promised. But mostly she seems determined to display the frayed edges of her voice, as in the swaggering “Under the Table” and “Newspaper,” which doesn’t have a tune so much as a furious spray of loosely connected notes. We are governed by greedy, gluttonous children who are threatened by the mere suggestion that they might be greedy, gluttonous children, and here I am, stuck inside, with no power to do anything about it.
Such sexism has not aged well. )The result of Apple’s self-imposed social distancing is the stunning intimacy of the material here — a rich text to scour in quarantine. Rather, these all function as independent axes that she manipulates to intersect at odd angles. A quarter century after “Tidal,” it is now blessedly less taboo to openly discuss things like mental health, eating disorders, and rape.But it’s still a man’s world.
Her song “Please Please Please,” written at the behest of her label, is a sarcastic rejoinder that criticizes the creative pressures the industry exerts on its artists.Apple has suffered a litany of abuses from men inside and outside her industry, and she has spent much of her career firing barbs directly into the male gaze.Apple has suffered a litany of abuses from men inside and outside her industry, and she has spent much of her career firing barbs directly into the male gaze. The mood of “For Her,” at least at first, is that of two young gal pals singing and rhythmically stacking cups in unison at summer camp. Billboard is part of MRC Media and Info, a division of MRC. Fiona Apple's new album 'Fetch the Bolt Cutters' is a creative, powerful study of fury. You may occasionally receive promotional content from the Los Angeles Times. Fiona Apple performs onstage during the "We Rock with Standing Rock" benefit concert at The Fonda Theatre on Dec. 18, 2016 in Los Angeles.The elusive artist teased her fifth LP on social media in recent days, and dropped it in full at the stroke of midnight.Ahead of the release, the veteran singer and songwriter spoke to the Pay attention and you’ll hear some unusual percussive sounds across its 13 tracks, from containers wrapped with rubber bands, empty oilcans filled with dirt, and rattling seedpods that Apple had baked in her oven.
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